What if we told you that the future of filmmaking came in bits and bytes? It really does! That’s the reason why some follow focus pullers could find it hard to survive the continuing future of the digital cinematography.
Any experienced focus puller also known as First Assistant Camera or 1st AC, won’t hold an opposing view of the fact that DSLRs already outweigh the professionals of film camera on the production lines. And the admiration with which they’re released in addition to adopted is simply unbelievable.
Are you really worried about all that obsession? What you’re looking to is receiving a telephone call from the producer, grab the gig, ensure it is to the set on time, and there you go – do what you’re good at – pulling focus. It hardly is important what camera you choose to showcase your great talent.
You can find three creative ways when adapted, make focus pullers survive in the digital cinema they’re so keen on. Well, these adaptations might seem like going for a walk in the park for you personally, but don’t you forget all of them will play their respective role in your way leading to an excellent career.
1. Comprehend Digital Procurement and Formats – There are a few focus pullers who’re getting into their journey leading to the world of the digital cinematography currently. It creates suddenly so clear that they can undergo the right training. Moreover, they will become proficient when operating a digital camera.
Are you in this game for a long time? Then it might not be the case. There are endless digital cameras that experienced a big change from the grass root level. This is because these cameras were apply by productions with a poor budget.
As time passed by, the format was adopted a high amount of prominent Hollywood productions. So, this implies that there are several 1st ACs who’ve not much experience with digital. Their experience is almost next to none.
“In theory, there’s hardly any change in the work: Laying marks do not change, criticism still seems simple, and pulling focus isn’t smooth. But you have to comprehend a completely different group of technical information. Generally, you need to grasp the basics of how image sensors operate, which cameras shoot the various file formats and a lot more.”
You always ought to be prepared to cope with any problems (arising out of the blue). Maybe you won’t ever consider the idea of crack opening a digital camera to fix it throughout a shoot, it’s important so that you can understand how it functions inside.
A focus puller needs to be the (go-to) technical person for all things regarding the camera.
Create a Sound Investment in Digital Specific Gear – The most obvious question people ask is what gear they should have within their toolkit. Well, it depends on which kind of a camera a person uses to shoot on.
P.S – The tools that are used for a film camera seem unique of the ones used for a digital camera. Of course, there’s overlap, but you got to know that there’s gear that is specific to one format.
Here are some items that focus pullers have within their bags which are stringently used in digital productions:
Audio Cables and Adapters
USB Lens Light
Memory Card Readers (SD and CF)
Well, it’s good to learn information that none of the above-listed items are crucial on a film set, but they’re good things to have (just in case).
Looking to continue to work in this industry? Then you need to make investments in the types of tools you need which you can use for digital cameras specifically.
3. colowin88 No Need to Use More Rehearsal Time – Likely to criticize me for this one? Remember that I’m working for you no matter what. Not only do rehearsals play an essential role for focus pullers but they’re also imperative to film crew. Once you practice a shot, it not only helps you set up a flow but fix mistakes aswell. Not just that, it’ll also assist you to shorten enough time actually spent when shooting.
Ed Colman, an exceedingly talented cinematographer, once said: “When you are told to ‘shoot the rehearsal’ it isn’t a rehearsal anymore.” But the undeniable truth (sounding unfortunate) is that rehearsals are becoming a priceless entity.
With digital cameras, both directors and assistant directors feel there’s no harm with regards to rolling on the rehearsals. Even producers think alike. And when the rehearsals are being rolled on by these experts, they would like to record it.
Has the footage been thrown in for being shot? Has the slate been clapped? Well, you’re just about taking a plunge directly into Take One whatever you call it.
Final Words
Want to sustain your existence in this industry for long? Then you have to make sure that you pick up all you need. You should even learn to cope with the added pressure without rehearsals. However, there will be a constant dependence on rehearsals for several shots. And you will see times when you can have one.
Don’t forget that almost always there is be a desirable dependence on Focus Pullers or First Assistant Camera, and crew who’s well aware of the technical side of the camera are designed for it without hassles.
In the end, it’s you who has to judge how you’ll adapt you to ultimately the ever-changing industry.
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